Baltimore Is Too “Cliqued” Up To Have Supporters

“If we create a group of strong individuals who’ll support each other, then we’ll create a power house of people that will exceed all expectations. We’ll change this city for the better,” says every person who forms a group full of talented people, expecting it’ll change the turn out of their shows. Womp Womp!

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Too many people have this philosophy but in Baltimore it does not work. Content is key. Content is what brings people to an artist’s show! When was the last time you’ve decided to go to Kanye show because he had a power group with him there? The Jay-Z and Kanye power house was damn near three years ago. He’s currently standing alone. People go because of the content of his show.

I recently read an article from Baltimore Blogger Malika Muhummad titled “Why Baltimore Artist Can’t Make A Deal.” Malika talks of how many Baltimore artist lack originality. Why strive to be the next Lil Wayne when artists should be working to make a name for themselves? They should be striving to be unique. She also talks of how people should seek opportunities in the city that allows them to give support. There are multiple open mic events that happen throughout the city all days of the week. There are very few supporters of these events. She goes on to name a few examples. I’ve actually been to a number of 5 Seasons open mic nights, which is one of the example that she gives, and the crowd was dry each time I went, meaning there could have been more people there but it wasn’t. Majority of the crowd were artists waiting for their opportunity to have their shine on the stage.

What I see in Baltimore is a sign of doubt from the people artists hope would support them. Listeners in Baltimore doubt if an artist will bring what they enjoy so they stick to what they know. What they know is what they hear everyday, 24/7, on mainstream media. If a person was to listen to 92Q for the entire day, they’d hear the same 10-15 songs, minus the 12 O’Clock Rewind and the occasional rap songs they play on Rap Attack. Do people ever get tired of that?

When it comes to the individuals who claim they don’t listen to the radio or mainstream music, they continue to support people who have a larger followership than the artists from their hometown. Those artists are clearly closer to mainstream radio than ever. Take the Weeknd, four years ago we would have never heard him being played on the radio. Since Drake featured him on “The Crew,” the Weeknd’s spotlight has been heightened. We hear of him more because of the major support people had for him after that song, seeking his music wherever they could find it and going to his shows. Baltimore artists could have the same happen for them if their supporters became educated listeners. If they’d realized how supporting good content produced here can make talented people from Baltimore be heard on the radio, it’d be a greater selection of music to listen to.

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But how I see it is it all begins with the content creators and their attitudes towards this city. Baltimore artists need an opportunity to come together in support of each other first. They need to realize they’re all thinking the same. They must show each other that the outcome doesn’t always have to be the same way. If your purpose is to create a city who supports each other, live by it. Building a crew that supports only the people in that crew, shows selective treatment for that group, not for the city. That clique way of thinking will not work for Baltimore. It may work for other places but not with the unique listeners of this city. It’s better if we seek opportunities to help one another because on-lookers will see what we’re doing and want to be apart of it.

This is a message for every artist for all genres to hear. We must seek out those who deserve support and help them because it’s the only way to gain what this city needs; Artist for artist, blogger for blogger, or poet for poet. Then it should turn into blogger for artist, artist for poet, and poet for blogger. Etc., Etc.. Each time a creator finds someone making a difference in this city, they’ll feel enlightened to be apart of it and that exact feeling will bring in more supporters and a bigger audience for everyone. It won’t be easy, but nothing is that’s worth trying.

With everything being said, let’s stop this clique mess and build upon a new Baltimore city.

To read Malika’s “Why Baltimore Artist Can’t Make A Deal,” click here. To hear great music from Baltimore artist, check out Vivid Visions or AmirahRashidah. Both blog sites take submissions.

If you’re looking to be a music highlight on Doc’s Castle Media, send me stuff. Let’s change the city for the better.

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7 thoughts on “Baltimore Is Too “Cliqued” Up To Have Supporters

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  2. Great, Great Job! Sad that we may never see this come to fruition because everyone here (well, majority) is out for themselves.. They want support so badly.. yet they don’t support anything.. The biggest problem I’ve seen in terms of the TALENTED artists not being seen or heard is that they’re lazy… The truly talented ppl with so much to offer are lazy (in a sense) they just want to create… and that’s it.. they don’t want or don’t know how to push the music, push their brand etc. And that’s where they fall short.. BUT the not-so talented individuals work hard to push their stuff and spam and get it out there because they aren’t really “creating” or focusing on QUALITY… its easy for them to just throw some shit together and keep it moving.. (i.e. trap rappers, ppl who record at home on bullshit equipment etc.) so they put their money into promo, they put their time into spamming n all that because they didn’t really work HARD on the actual product.. | Quality > Quantity… (for 1) ..i’ll end rant there… for now..

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