#SongsFromDaDugout Released from the Chambers To The Public March 21, 2015

It’s finally here. After the wait, I can no longer say “Sorry for the Wait” like I’m Mr. Weezy F. Baby, himself. My first EP is here for you to take a listen to. It’s about time!

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As part of my list of tasks to complete on my bucket list, I can say this has been the most lengthy of things to complete thus far. I’ve caught myself not wanting to finish it a few times, and the production process had quite a few bumps along the way. But I said “eff it” to my woes, and decided to drop what I had anyway. It’s the first of what I hope to be more music projects so I chose not to beat myself up for how it sounds. I know I’ll produce way better material in the future. I’m just glad to have had the opportunity to do something like this. Writing music has become one of my many creative activities I do to keep my mind busy.

So it’s now official; I will scratch off release mixtape off my Bucket List! Yay!

You may download my EP “Songs From Da Dugout” via my Bandcamp page or soundcloud at Alissa Feré. But to make it more easier for you, take a look at the Playlist below and you can download from there. Thanks for listening!

 

Special Thank You to the lovely staff of people who helped me with this project:

Producer and Engineer: FLuX; Album Cover Art: Boutzie; Photographer: Rebellious Rebel; Promotional Art: Alissa Fere; Creative Consulting: K.A. Walker and Tony Bonez Sinatra; Featured artist: Quinn Shabaz, Leon Dominick, and Boutzie; Studio Production: The Dugout Dojo

Do you think I should make more music? Leave your thoughts in the comments below.

To check out photos from my “Songs From Da Dugout” photo shoot, read “Alissa Feré Takes It To The Field For The Release of 2015 Mixtape “Songs From Da Dugout” on Doc’s Castle Media.

Alissa Feré 2015 EP “Song From Da Dugout” Artwork Finally Released

With less than two weeks away from my EP “Songs From Da Dugout” release, I am pleased to finally release the official cover artwork for my project to the public. The EP is expected to release March 21, 2015 via the Alissa Feré Bandcamp and Soundcloud music pages.

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Like many of my other projects, Briana Ragler was given the pleasures of handling majority of my visuals. Starting from taking on the responsibility of styling my creative persona to designing my cover of my first musical project, Briana, also known as recording artist Boutzie’, utilizes all her creative abilities to make sure Alissa Feré was ready for the world to take in. She was my photographer, stylist, and graphic designer.

Ayeee!

I’ve decided to take the Rebellious Rebel approach while working on my EP because Briana’s creative style is that “clear and clean” image I was aiming for that steers away from the average look associated with sports and hip-hop. I commonly see a more “rigid and rough” images used for things associated with both hip-hop and sports. Both are hard topics dominated by men, which I am not. So my thoughts for my project already being assumed as “hard” had to be challenged to seem more “fluffier” for Feré’s sake.

By creating a more cleaner representation for this project, I hope to promote interests that’s grabs the onlooker’s eye. I want my listeners to know from the moment they see the cover that there’s meaning behind being left in the Dugout for women. This clear and concise illustration captures the beauty behind what I believe this game we call love really is. It’s a cloudy, mysterious, dangerous, and very uneasy to understand, but it continues to be alluring, mesmerizing, and worth taking. Briana captured that we’ll in this very simply put work of art.

On top of it all, it’s very professionally presented. *applauds*

Along with the help from Baltimore artist FLuX, who’s the owner of the Baltimore brand The Dugout Dojo and the engineer of “Songs From Da Dugout,” I was ensured that each song would sound superb. I had no doubt about how my EP would turn out because listening to FLuX’s previous works, I was already blown away. (Listen to The Sky Is Blue by FLuX, here.)

The EP’s track listing is also finalized with six semi- complete songs ready for me to share.

  1. José (Liquor Talkn) ft. Boutzie (prod. Doowy Lloh)
  2. Rufus Bush (prod. mjnichols)
  3. Only You Ft. Quinn Shabaz
  4. Tonight (prod. Cmbeats)
  5. When The Stars Align ft. Leon Dominick (prod. Davinci)
  6. (Bonus Track): Pleasant Nightmares (prod. André 3000)

“Songs From Da Dugout” is expected to release this month March 21, 2015. For more updates on Alissa Feré, subscribe to Doc’s Castle Media social sites.

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View photos from my “SongsFrom Da Dugout” shoot on Doc’s Castle Media.

Alissa Feré Takes It To The Field For The Release of 2015 Mixtape “Songs From Da Dugout”

As an insider for the release of my 2015 mixtape Songs From Da Dugout, I decided to give my readers a few snapshots to look at while they wait for my project to drop next month.

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I decided to get a little creative for this release. I thought Why should I leave you guys with only an expected date for my project? I should give you a little more, and maybe some more background to what to look forward to. So I partnered up with my favorite photographer/blogger to give something extra as we wait for my dropping day.

Songs From Da Dugout is a representation of my emotions. Often I feel I’m left in limbo on a lot of issues when I’m dealing with guys. I think lots of women can relate. It can feel like I’m sitting in a dugout waiting to be called on for the next play. It can get restless waiting on these guys, and they should know that I don’t wait very long for my moment.

Women have so many questions that could be left unanswered while waiting on their next call in a partnership; there’s so many expectations that should be fulfilled on the behalf of the man that aren’t met in relationships. I relate to those women because when someone’s left in the dugout, how is anyone expected to win the game? How is anyone expected to conquer the battle?

These brothers got us yelling to the coach like, “Come on. Call me, coach! I’m ready to play.”

The photo shoot was conducted by Briana Ragler of Rebellious Rebel, also known as hip-hop artist Boutzie’. She did a great job. What do you think?

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Look out for “Songs From Da Dugout” dropping in March 2015!

Have you heard “Pleasant Nightmares,” single from 2015 tape Songs From Da Dugout? Check out “Alissa Feré Releases Title & Promo Art For Spring 2015 Project” on Doc’s Castle Media.

Watch behind the scenes of my photo shoot via Briana’s Blog, Rebellious Rebel.

Doc’s Thumbs Up: Boutzie “Intoxico” ft. Jimmy Apoet & FLuX

Baltimore artist Boutzie arrives on the indie music scene with her new single “Intoxico,” a track meant to show the woes of partaking in the various choices of recreational activity.

Indeed, this isn’t your ordinary turn up “let’s pop a molly” type of hip-hop song. Many tracks I come across usually praises the “glorious” life of drugs and living in the fast lane. But this submission doesn’t quite get you hopping out your seat ready to twerk or even imagine yourself in a room full of “Thots” ready to “pop-off,” like an average 2 Chainz song. Instead, it inflicts a self-conscious feeling. Thoughts like ‘why do I even do this drug or condone this behavior’ pops in your head while listening to it.

With lines like ‘Oh it’s murder, the conceivable thoughts that’s unheard of…,’ I’m unsure if I’m suppose to feel a little dark inside for wanting to take that shot of Jose I commonly do.

Sheeeeeesh. Should I chill or what? *Pours shot down kitchen sink drain*

Intoxico features Baltimore artist Jimmy Apoet and Baltimore artist and producer FLuX, both very talented emcees and previously highlighted on Doc’s Castle Media. With a talented group like this coming together to spread common awareness in this very unique way, a person could already tell this may even spark a movement.

So…Where does Boutzie come from?

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This isn’t the first time Miss Boutzie has graced Doc’s Castle Media presence. Last February, she was featured as a Baltimore Blogger in my 2014 Blogger’s Rundown Series as the inspiring Briana Ragler, and what a surprise to see she has another hidden talent. Girl can sing?!?! Who knew?

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Thumbs Up:

I love the eery feeling that comes from hearing “Intoxico.” Though it makes me question my lifestyle, its “read between the lines” call to action is rewarding not only to me, but also in generation that prides itself in doing illegal and very questionable recreational activities. With depicting the dark truths of how being intoxicated can overtake your body in mesmerizing, without a care, sense, maybe there is a chance to push these unconscious motives that I have for the song in others; subconsciously just suck the “turn up” out of their little unruly bodies.

I sound like I’m 75 years old. Believe, I do turn up. *cough cough*

Let’s be for real here. If more artists can take part in pushing songs like this, people would walk around second guessing what they do for fun. It might not be a guarantee to resist but it leave space to ponder. I like when people are made to think.

This new sound from Boutzie makes me anticipate what the visuals, if there should be any, may look like for this eerie track. I see darkness, lots of slow motion shots, and maybe a creepy church bell? I guess, we’ll have to wait and see.

What do you think about this song? Leave your comments below.

Have you seen the last Doc’s Thumbs Up post? Watch Hazmat Remi’s “Evolve” Official Music Video on Doc’s Castle Media.

Doc’s Thumbs Up: Hazmat Remi “Evolve X” Official Music Video

For Hazmat Remi to be labeled as a “based” artist, “Evolve X” makes me ponder what the heck is based music?! If you’ve ever listened to any of the original basedgod Lil B’s songs, you’ll understand what I mean. In an interview with MTV’s The Vice Guide To Everything, Lil B explains based music as a genre where the artist expresses him/herself positively. Some based music can be negative, but if it is, it must also have a positive message embedded in it, as well. So to sum that up, based music is really too broad for me to redefine for my readers. Haha

There really is no easy way to explain what it is, you just experience it. A good based artist has the ability to capture you, regardless, with their unique approach to sharing their “positiveness.” I’ve met my share few based artist in Baltimore with that ability, one being Hazmat Remi with her song “Evolve X.”

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There’s lots of positivity in this music video, and I love the message Hazmat Remi leaves in her lyrics for this song. Though I’m not very fond of much based music, Remi makes it a lot easier on my ears to take in.

I might have beginner ears for this genre. Who knows?

Become someone. Be something. Love.

“Evolve X” makes me feel like running to random stranger to bombard them with my friendly hugs for the simple reason they’re living the best way they can. Life’s is going to be okay. Everything will be fine. It’s a song that makes a person embrace the approval of oneself during hard times; during a time where people see more evil than good. We as a people must become an acceptable society as a whole for future generations. Indeed, Doc’s Castle Media is all for that!

*cough cough* “It’s Your Talent…Own That Shhh!” isn’t my slogan just for the hell of it.

Even the Hazmats seem to be comfortable walking the streets carelessly, worry free, and ready to evolve. They want you to hop on board the evolving train. Do something that’ll awaken the brighter you for a better us.

What do you think? Do you like Hazmat Remi’s “Evolve?” Leave comments below.

Are you a supporter of Baltimore hip-hop? Read Doc Talks About Supporting Artists In Baltimore With @BaltimoreFlavaRadio on Doc’s Castle Media.

Does Club 347 Even Have A $10 Spending Minimum? (Venue Review)

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Last night, I attended the 2nd Recrd Breakrs event hosted at jazz club, restaurant and bar Club 347 for a networking event created specifically for local artists to meet with Baltimore bloggers and other media. I attended with my artist and we mingled with people at this event for a total of 25 minutes.

The night started off smooth with nice soothing jazz music. I jammed to lovely rhythms and live music from Lia Songbird & Fmajor and DJ Trelly Trell. The networking event was beautiful itself. But I wasn’t too pleased with the service from the waitresses or owner of the venue, that’s if he can be labeled as the owner because I’m not sure.

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I sat down and started speaking with my artist about a possibility of using Club 347 as a spot for future performances, when it wasn’t even 2 minutes later that one of the waitresses walks up to our table and asks us, “Could she get us something?” We told her “no, thank you,” and that’s when the commotion began.

“There’s a $10 minimum because tonight the club is open for free,” said the waitress who looked to be only 5 feet tall, a little on the thick side, and had long blonde tracks of weave.

We replied saying that we weren’t told about the minimum and the flyer didn’t specify it. We knew that the event was meant for networking, and that’s what we were there for. We were there to participate in the cause of supporting local talent.

The waitress walked away from our table on a mission. A mission that would start a chain of events that was completely unnecessary and could have been avoided if things were communicated slightly different. Little did we know the waitress after leaving our table went to her supervisor on a snitching spree.

Five minutes later, a guy who looked as if he’s of another nationality,  probably of somewhere of Eastern culture, like Middle East or Asia, walks up to my artist and signals with his fingers to follow him out the door. My artist follows him out of the club, where he is told there is $10 minimum and if he doesn’t have it, he’ll have to leave. Now heated, my artist walks back into the club to tell me we have to leave. I refused to budge because that night was not about the negativity. There was something positive happening around me, and I wasn’t for letting that guy ruining my night if the event was advertised as free. I wanted to be apart of the positive things happening. So we stayed inside.

We continued to mingle with a few folks. I met other artists who shared flyers for their event, which is below…

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…and the same waitress approaches us, a second time, reminding us of the club’s $10 minimum charge. My artists look to me with an expression on his face that told it all. He was too through, ready to turn on his “niggerdom” trait, a characteristic I refer to as pure ignorance and disregard when someone feels they’ve been disrespected. So I told him we weren’t staying there long. Then I proceeded to continue enjoying the music of the band.

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I moved around the club and started talking to some people, who I’ve spent time speaking to online but never officially met in person, as my artist mingled with the group of artists who were sharing their flyers with others. While I’m on the opposite side of the club, my artist witnesses those who were passing out flyers be told they couldn’t give them out at the event by the same Asian looking guy.

What?! This is a networking event, sir! This is how these artist are choosing to share what they do. How could they be forbidden of this right if the event was specifically for that?! Did this guy not know what was going on? Did he not get the memo that there was a live meet and greet event happening in front of him?

As the night continues, I sit back down at my original table. The waitress comes to me again to tell me, “My boss wants me to remind you of the $10 spending minimum.”

WTH! Am I the only one not buying anything?! This minimum wasn’t specified. How many times is this going to happen? To my surprise, this happened 4 times throughout the night. Look, I may be free loading from the experience happening in your club, sir and ma’am. But isn’t that what I’m there for, to experience a night of great music and meet some awesome people within the Baltimore hip-hop scene,  (cough, cough) and for no charge?

The fourth time was our last time. My artist stormed out and went to the car before I caught on to his whereabouts. I had to call his cell to get the idea that we just weren’t welcomed by the owner. We had no money. We couldn’t be there. So I met up with him at the car 3 minutes behind him.

Even as I get home to share my experience on Facebook with my friends because some of them were still enjoying the atmosphere, they tell me that the event was absolutely free. They were lost, also, at the reason for why I was treated like that. It was twenty-five minutes; 25 minutes of a man showing me his pure greed.

Why were we singled out? Why were we followed around the bar continuously reminded about a nonexistent mandatory fee? Were we truly the only two who didn’t buy a drink? If so, well damn!

I’m upset because I felt like I was singled out for not having money. It was embarrassing. It made me more mad as I thought about why I couldn’t pay $10, even coming to the event straight from work. I guess, that damn 9-5 of mine can’t support me attending even the FREE events and that’s truly some genuine bs!

I’m on a come up, seriously. I budget the events I attend under Doc’s Castle Media often. The ten dollars in my pocket that night was actually to go towards my attendance to Baltimore Crown Awards this Saturday. I’ll still be in attendance since I didn’t break down to give into a greedy old man.

Instead of creating a scene, which I absolutely felt like doing after being treated that way, I chose to avoid any further embarrassment to myself and my artist by writing why I’m not going there again. I don’t want to be that one customer who the owner feels is okay to single out. I don’t want to feel ostracized. I damn sure don’t want to spend the same amount of time spent driving there inside of the club, again. So there you have it. My artist won’t have the venue for future shows, and I won’t be writing about this club in future post for other artists, either. So greedy guy, thanks for my first experience in Club 347 and bringing me out of my writer’s block.

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