Pharaoh Slumzyniah Produces Fire With Release of 2nd Underground Album “No Role Models, No Rules”

This week, Baltimore native Pharaoh Slumzyniah released his second underground album No Roles Models, No Rules and reveals that embracing your dark side can be quite cultivating, too. He further introduces to the world a new type of hip-hop, which he calls menace rap, a new style of music that has no regards to what society expects. It’s an album geared entirely to “not giving any f*%@s.”

NoRoleModels No Rules Cover

No Role Models, No Rules was set to release Saturday, November 15, 2014. Unfortunately, the anticipated underground album was delayed an additional 3 days building more anticipation for Slumzy fans. But despite the contrary, the album still exceeded fans’ expectations, and has proven a bigger and better composition than his previous discography .

The album is composed of 18 somber, but still upbeat, tracks that, though may get you pondering whether you should be nodding your head or seeking to drown in your sorrows, will have you dancing nonetheless.


To name a few artists who have been featured on the Pharaoh’s new mixtape are War Drumz Audio artists FLuX, Leon Dominick, Quinn Shabaz and Based rap artists Lor Bluntz and Hazmat Caz.

Experimental sounds of dubstep, old school, westcoast, and hardcore hip-hop influenced and blended together on No Role Models No Rules to create an exquisitely composed masterpiece. Majority of the album’s producer credits comes from Pharaoh Slumzyniah, himself, as Slumzy along with Exclusive Orchestra, Def Starz, The Marvel, Clyde Strokes, Xeno Carr and other talented producers, including Baltimore and War Drumz Audio Art artist Tony Bonez Sinatra.

“Thumbs Up” Tracks

My favorite tracks on No Role Models, No Rules are “Fall of Pete” featuring Hazmat Caz and “Cypress Hill” featuring Lor Bluntz & FLuX.

“Fall of Pete” is a song that’ll place you in nostalgia of west coast rap. Do you remember Snoop Dogg’s “Who Am I (What’s My Name)?” The instrumental will have you thinking the music video should be set in a neighborhood similar to East Compton. I wonder if that’s something to look forward to from Mr. Slumzyniah, hmm?

“Cypress Hill” is a pothead’s anthem and we just don’t get enough of those, right? Depicted from three perspectives, the listener gets the inside to how the infamous Mary Jane comforts and provides remedy while they all float their way to solace on cloud nine.

No Role Models, No Rules is now available for download on Be sure to get your copy today! (CLICK THIS LINK FOR DOWNLOAD) Don’t forget to follow Pharaoh Slumzyniah’s social media at Pharaoh Slumzyniah on Facebook, Slum_Money on Instagram, and SKSlumzy on Twitter.

Do you expect to hear more from Pharaoh Slumzyniah in 2015? Leave your comments below.

Have you read our last WDAA Alert? Read Music Highlight: Quinn Shabaz ft. Jimmy Apoet & Leon Dominick on Doc’s Castle Media.

The Music Highlight: Jimmy Apoet “Don’t Excuse My Lingo”

It’s very rare to find an artist that sounds similar or makes you think of someone who’s already in the music industry. But when I come across someone who does, you better believe I will find a way to include them in my blog. This week’s Music Highlight reminds me of J.Cole. Ha!

Meet Jimmy Apoet!

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Jimmy Apoet is 24-year-old independent artist and Baltimore native with a creative vision and social awareness that separates him from other musicians in his genre. His rap career started when he was 13 years when he was given Tupac Shakur’s A Rose That Grew From Concrete. Tupac’s poem book later inspired him to want to record his own experiences and thoughts. Jimmy grew up being active with his peers in competitions and cyphers, grasping a name for himself at a very young age.

When it comes to who’s Jimmy Apoet’s influencers within the music industry, alongside Tupac, there’s Nas. Jimmy says he’s inspired by the two for their position in performing for a more serious side of hip-hop, which also plays a big part in Jimmy’s decision in being a conscious music artist. It’s also his reason for why he’s placed in a different bracket other rappers, and my reason’s for comparing him to J. Cole.

It’s not the love for the music alone that keeps Jimmy Apoet eager to make more. He claims he’s motivated by the people. “There is a lot going on in the world and a lot of people turn to music for guidance, comfort, and something to relate to. As an artist I want to contribute my thoughts and experiences, and hopefully, it will positively change lives.” I second that thought.

Jimmy Apoet is active in the local hip-hop scene and can be found performing at 5 Seasons Lounge and Monumental Mondays (hosted by Alumni Marketing Group) in Baltimore.

“Don’t Excuse My Lingo”

As a music highlight submission, Jimmy sent readers his single from his EP released June 1st. Instead of wording his EP “Please, excuse my lingo,” Jimmy Apoet tells his listeners to not bother. There should be no apologies for what he has to say and as a conscious rapper, he has a lot for people to hear.

My favorite song from “Don’t Excuse My Lingo” is Bonnie, which plays off of Jimmy’s vision of what a “down ass chick” would be. I personally know Jimmy and I’m sure he can attest that it’s a fav because I’m constantly telling him to make a music video for the song. You have to hear it. If he’d listen to what I say, the visuals would be hawt! The song uses the concept of infamous criminals Bonnie and Clyde’s as a spin-off for his perception of Bonnie. She’s fearless, demanding, willing to do anything for her Clyde, or in this case her Jimmy Apoet. Bonnie is THAT! Everyone should want a chick who’s like that. She sounds pretty fun.

We can tell Jimmy Apoet has the potential to exceed the average expectation. So make sure you’re supporting his come up by downloading his EP, “ Don’t Excuse My Lingo” from Soundcloud. If you’d like to listen to more of his music and receive more updates, follow his soundcloud at JimmyApoet, follow his Twitter at @topflightjimmy, and add his Instagram at @JimmyApoet.

What did you think about Bonnie? Did you like it? Leave your comments below.

Did you check out the last Music Highlight? It’s ME! Read Jose (Liquor Talkn) X Alissa Fere on Doc’s Castle Media.

The Music Highlight: Interview with The Mighty Third Eye

The Baltimore city’s music scene is getting bigger and bigger by the day. I’m not saying this because everyone seems to want to be a rapper these days, but because if you really indulge in the hip-hop scene, you’ll learn that there are some really gifted individuals taking apart in something worth sharing about. Two of those very gifted individuals are this week’s Music Highlight.

The Mighty Third Eye are two sibling rappers, who are freshly new to the Baltimore hip-hop scene. They caught my attention sometime last month when I attended an open mic night and was granted a T-Shirt from one of the members, Divine King, during their performance. He definitely gave his shirt to the right person because it wasn’t too far after I approached The Mighty Third Eye about being today’s feature.

I met with the two at Terra Cafe, which was also my first time dining in the local restaurant. (I’ll talk about my dining experience another day because the food was good y’all.) But once I met up with them, we kicked it and I learned a lot about these Milwaukee natives. We chatted about their start as a duo rap group, the type of music they consider themselves to make, Love Truth’s view on women in the industry, and much, much more.


I started my interview by asking the two how they began. It came to be that the both of them already were writers growing up. But Divine King, while inspired by NWA, began rapping in high school with his friends. He often made beats as a hobby, as well. It wasn’t until 3 years ago; he would faithfully send beats he made to his sister Love Truth for review. At the time, Love Truth was into writing poetry rather than the art of rap. But she expressed that from life’s obstacles and tribulations, she was inspired to begin writing over beats her brother orchestrated. After a while, it became a thing they loved to do, or as they say “it kind of happened organically,” it wasn’t planned at all.

If you were to hear a Mighty Third Eye track, you’d be reminded of “soul-hop,” hip-hop music with a hint of conscious meaning that reaches the inner soul. Artists whom I would consider in this category of music would be Lauren Hill, Mos Def, or the Roots. They have a sound of which I believe has run scarce in the industry, today. As I’ve mentioned to them that their music reminds me of music from the 90s, they’ve expressed that many others have placed them in the same genre. Divine King wouldn’t want to say they focus on a specific era of music though many compare their music to artist from the 90s. Their aim is to deliver a certain message and to add value to the culture. Both aren’t too fond of the “turn up” music that’s so often promoted in the music industry, so they see the 90s comments from others as compliments because it’s an era of music they enjoy, and an era of music they take pride in listening to.

Female MCs are hard to come by in the Baltimore Hip-Hop Scene? Males dominate the culture but women still find ways to form a presence. As I went on expressing how I rarely see female rappers at open mics in Baltimore, the conversation led into a discussion about females and how they carry themselves in the industry. I asked Love Truth if there was reason for why she chooses to represent herself the way she does; in a conservative-simple manner. She went on to say “I don’t feel compelled to sell sex through my music. I feel like I’m going to shine no matter what. I don’t feel I have to use my body to get somebody’s attention because my intelligence and other things are going to be able to carry that.” She’s aware that she’s entering into a male dominated industry and believes there are choices people make to represent themselves the way they do. Every choice has a consequence. She chooses the path that won’t exploit herself in ways that will make her feel uncomfortable living with those consequences. I believe that’s always the way to go!

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I asked the Mighty Third Eye’s about the idea behind their logo. Love Truth explained it represents their name. I didn’t realize how obvious it was until they elaborated on the design. The logo is composed of three gold letter “I’s” and a black crescent moon. The colors represent the gods and the earth. The logo is both simple and thought-provoking, which I believe is the best way to go about having a logo because a person who’s viewing the design doesn’t have to dig any deeper into figuring it out; as if it’s a puzzle. Divine King and Love Truth just thought it was cool to have a something to represent them because Wu-Tang Clan did it. Why not?

The Mighty Third Eye set the pedestal as one of the most unique groups I’ve found to be active in the local hip-hop scene. How often is it that you see a rap duo who are twins? They deserve a lot of the support that’s given, if not more. I encourage anyone who’s looking for some new soul-hop to speak into their inner conscious, or rather anything worth listening to as they go about their day, to consider downloading The Mighty Third Eye’s album Let Em See. Add it to your hip-hop collection. Also, if you’d like to see them perform live, attend one of their shows held every Tuesday at St. Mary’s Restaurant’s for Love and Hip-hop Open Mic Night.

In the meantime, visit for more goodies from the two.

Have you read the last Music Highlight? Read about TonyBonez Sinatra “Mask Writter” Music Video on Doc’s Castle Media.

Beet Trip Is The New Wave

I felt like I traveled back in time for a few hours to the 1980s yesterday, except there was a slight millennial twist in my Back To The Future moment. I attended for the first time Beet Trip, a beat and rap cypher event held at The Living Well, just few block north of Baltimore’s Station North Arts and Entertainment District. Last night’s event was Beet Trips 15th episode.


I wish I could have had the opportunity to grow up in the 80s to hear MCs battle it out in cyphers to human beat boxers. But the closest I could get to that was last night when I experience young Baltimore MCs form a circle while taking turns passing the mic to exchange freestyles to new age beats created by 3 star Bmore producers. I regret to have not grab such talented producers names or information. But I’m sure to be spotted at this event again. I definitely won’t make the same mistake. If you recognize anyone in any of these photographs, let them know that they’re now Doc’s Castle Media’s anonymous stars!



The atmosphere was, like I said, “old school with a new age twist” and the crowd was extremely exceptional for it to be held in an art gala like The Living Well. I assume Beet Trip was the absolute place to be if you’re big on attending Baltimore Hip-Hop events because I spotted plenty of familiar faces in the Baltimore Hip-Hop Scene. To name a few people:

Butch Dawson
Leon Dominick
Jimmy Apoet
OG Dutch Master
Kemet Dank (aka Dank God)
Lor Bluntz
Neish of 23rd Sense
and so many more…





Beet Trip is held every first and third Thursday of the month and it’s only $3 to attend. The next episode will be June 5, 2014. Will you be there?

2443 N. Charles St.
Baltimore, MD 21218

The Music Highlight: Tony Bonez Sinatra “Mask Writter” Music Video

Yet again, I bring you another War Drumz Audio Art artist straight from B-More city. This time around it’s Tony Bonez Sinatra.

This is his latest music video for his single “Mask Writter.”

I like this song because it reminds me of the music I grew up on. You know know 90’s babies love when they hear something that sound similar to anything 90’s or early 2000’s related. Tony Bonez’s music reminds me of some old Redman and Method Man hits. Check out the assets of the video! Can you tell it’s Baltimore? Stand up!

About the Artist:

Tony Bonez started rapping at a very young age as a result of dealing with poverty during his childhood. Music became his getaway from all the issues that revolved in his life. But it wasn’t until the early 2000’s, he started writing his own rhymes and joining cyphers at school which helped gain him much respect as a fierce MC who is not to be messed with. Inspired by Redman (see, I told you it was something familiar about his style haha), Tony took up the name KidBlaq, and was later signed to an underground label Monsta Money at age 19 and took up the name Tony Bonez but shortly left to join a group known as DaUnion. A year later Bonez parted from the 4 man group after issues amongst the group and went solo. Over time he encountered SmokingAces counterpart Fly Fonzarelli. They instantly clicked. Fly introduced Bonez to the Baltimore hip-hop scene on a whole new level. Bonez since then has gained experiences with some of Baltimore’s top artist including learning from Skarr Akbarr, battling King Los, recording with the late Smash, Tiara Laniece and Yea Lano. More recently, Bonez has taken on the position as the sixth addition to the War Drumz Audio Art music label.

Earlier this year, Tony Bonez released his first EP Welcome to the Boneyard: The Rise. The mixtape is composed of 13 tracks that’ll get your head nodding to the beat for sure. My favorite track is “Do Ya Like” mainly because I love the sample of Adele in the song, but he speaks volumes in an audio picture about being intimate with a woman. I’m a woman so…do you catch my drift? Ha-ha! I’m sure he has more goodies to come along with the rest of what he has to offer. What do you think?

To hear more from Tony Bonez Sinatra, be sure to follow him on Twitter at TonyB0nez, Instagram at LongLiveBoneyard, and Facebook at TonyBonez Sinatra. Don’t forget to check out his EP Welcome to the Boneyard: The Rise on

Do you like this music artist? Leave your comments below.

Do you have what it takes to be the next music highlight? Send me stuff! You might just become the next highlighted artist on Doc’s Castle Media.

The Music Highlight: Pharaoh Slumzyniah “40oz”

Baltimore is surely on the rise. There is no doubt about the potential that constantly gets overlooked. But that’ll soon come to a end.

If you’ve been following Doc’s Castle Media within the past 2 months, you’d know I’ve been making some sweet special appearances in the local hip-hop scene, spending my time meeting some really talented individuals at local open mic nights.


As I’ve been spending time meeting lots of new artist, I’ve come across an extremely talented music label by the name of War Drumz Audio Art. This label deserves some extensive credit because I’ve gotten to learn more about the label’s assets and what they offer for each of their artists signed to their team. Pure creativity is embedded in their movement. I’m talking about I haven’t see anyone in Baltimore with the kind of swag as this label.

Creativity given to you purely as audio art comes to you by War Drumz Audio Art’s very own local hip-hop artist Pharaoh Slumzyniah. I bring you his first music video “40oz” as an introduction to the world for what people are missing out on in Baltimore city.

To hear more from Pharaoh Slumzyniah, check out his mixtape The Red Dawg Pharaoh on Don’t forget to follow him on his social media; Pharaoh_Slumzy on Instagram, SKSlumzy on Twitter, and Pharaoh Slumzyniah on Facebook.

Lookout in the future for interviews with more artists of the War Drumz Audio Art label coming soon to Doc’s Castle Media. In the meantime, follow them on their social media: Facebook, Instagram, and Twitter.

How do you feel about this artist? Would you bump this song? Leave your comments below.

Mixtape Review: Kaseo’s MoBettaHipHop

Today, I’m posting a Music Highlight. I haven’t done so in a while. But I want to remind people my blog is not solely a music blog. Doc’s Castle Media is a commentary blog, which means I write based off of my opinions for different events and scenarios that happen throughout everyday life. I enjoy writing about Baltimore because it’s the city in which I dwell. But Doc’s Castle Media is meant to promote productivity within my city through me writing about how I feel about what’s going on around me. I talk about music but I’m not limited to it. My blog shows for it, hence why I don’t post everyday a new song or mixtape that’s being dropped by a local musician. There are other artist, like poets, graphic designers, dancers and etc.; I’d like to write about. I’d love to give recognition to talent while also writing about my thoughts and ideas with what’s going on in the world. I hope that I’ve cleared it up for some of you.

Onward to The Music Highlight

Kaseo is today’s star! If you didn’t already know about this guy, he recently dropped a mixtape early February that I would say has a unique sound from what I commonly hear in the streets of Baltimore. I loved it. But let’s leave the best for last here. First I’ll get you familiar with who he is.

Kaseo MoBettaHipHop (2)

Kaseo is a Baltimore native who has embedded within him multiple talents that helps him enhance his music career to further heights. Not only is he a musical lyricist, he’s also a producer making hip-hop beats. But of course, it didn’t all start out as rainbows and butterflies. Kaseo started his music career when he was 12 years old playing the Casio keyboard that was a gift from his father. He started with making beats and free styling to his creations. Once he learned he had a passion for rapping, he formed a group with his friends in high school name Music Man. Later the group’s name changed to Skyebourne Music Group.

Kaseo’s motivation to make music is to receive a feeling of liberation. In the past, he battled issues with anger and music became his outlet. He believes music is peaceful and serene. So he often writes for his release and “high.” He also creates because people are fond of what he offers. I guess, I would say I’m one of those people, now, because I can vouch that his latest creation is awesome.

MoBettaHipHop, a mixtape that has sort of A Tribe Called Quest feel, is an awesome tape that anyone who enjoys a jazzy, but yet still rhythmic type of sound, would love to have in their iTunes collection. I downloaded it the first day it dropped and burned it to a CD so that I could have something new to drive to. One of my favorite tracks on MoBettaHipHop is Black Widow, a song of resentment for a woman who unforgivably broke a man’s heart. Kaseo gives a cruel stab back at a woman who, if anyone would hear how she treated him, deserves to reap what she sows. I thought the CD was beautifully crafted, and I definitely recommend it to my readers to take a thorough listen.

To check out Kaseo’s MoBettaHipHop mixtape, be sure to download it from, or you could just CLICK THIS LINK. Also, follow him on Twitter at @Kaseus_Clay and Instagram at @Kaseo92 for announcements of shows, albums, and mixtapes from Kaseo in the future.

Read my last Mixtape Review: Young, Wild & Reckless The Movement on Doc’s Castle Media. If you’re interested in becoming a Music Highlight, send me stuff to be featured.